tag:blogger.com,1999:blog-46546087404238691302024-03-05T09:42:05.367+00:00Curious Incidents in the North Eastreviews and comment from curious-slothcurious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.comBlogger34125tag:blogger.com,1999:blog-4654608740423869130.post-31024446615384456762014-03-23T22:15:00.003+00:002014-03-23T22:15:42.810+00:00Again, lack of action from Curious Sloth is due to activity on the NE:MM front. As we don't have a print copy this month everything's going on the blog. Check it out here: <a href="http://nemmonline.blogspot.co.uk/search/label/Prelude">http://nemmonline.blogspot.co.uk/search/label/Prelude</a>curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-65155618052865070762013-10-10T17:47:00.000+01:002013-10-10T17:47:05.659+01:00We're all striving for that balance<!--[if gte mso 9]><xml>
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The elusive work-life equilibrium which will make us perfect and
content. Recently, upon the suddenly progressing illness of a family member, a
friend of mine had the courage to step back from some of the hassle of the
daily grind to give some extra time for connecting with family and friends, and
(in true Carrie Bradshaw-fashion) this led me to thinking:</div>
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<br /></div>
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SURELY WE CAN’T HAVE ‘EVERYTHING’ AT THE SAME TIME.</div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
There’s a perpetuating myth amongst my peers that happiness for a young
woman involves a challenging career in her chosen field at the same time as
planning THAT uniquely similar wedding. As well as keeping up with the news,
politics, feminism, Twitter (yeah, well, maybe not both of those last two
combined), ‘culture’, and probably completing another qualification on the
side. But, you know what I think, how much calmer would I feel if I didn’t
multi-task all of this but could have a series of singular foci.</div>
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<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
I’m not claiming to be in this position right now. Yet I would like the
option of having my ‘everythings’ and what I’m sort of realising is that not
all of these have to overlap. I’m sure it’s not that radical of me.</div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-68030881364417533722013-08-18T23:00:00.000+01:002013-08-18T23:00:07.179+01:00The Forgotten Waltz – Anne Enright<!--[if gte mso 9]><xml>
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<span style="font-family: "Verdana","sans-serif";">This
was my first Anne Enright, and oh I’m so glad there are loads more to discover.
What a beautifully crafted exploration of a woman on the verge of a family.</span></div>
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<span style="font-family: "Verdana","sans-serif";">An
affair with a friend of a friend that drags out from a passionate one-night
business trip fling. The story seems to be such a typical exploration of
mid-life worries: the death of a mother, the stress of family life, sibling
anger at others’ decisions, the struggle for property, that bricks-and-mortar
epitome of ourselves which can be so important. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmDKg7aQLqBxbKj8BloFicul2MJggEOBzt_Ghgkaze8fH0UzAqOP0cvc8ODO6GGStb-HY6rI6qyaC_vuDlHO3pju-xmRgpbLQF0SgjZ14tA9fOFYDUDpU8SMoJE9mfV8Z5XTFpYBi5tB0/s1600/the-forgotten-waltz.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmDKg7aQLqBxbKj8BloFicul2MJggEOBzt_Ghgkaze8fH0UzAqOP0cvc8ODO6GGStb-HY6rI6qyaC_vuDlHO3pju-xmRgpbLQF0SgjZ14tA9fOFYDUDpU8SMoJE9mfV8Z5XTFpYBi5tB0/s320/the-forgotten-waltz.jpg" width="194" /></a><span style="font-family: "Verdana","sans-serif";">Putting
pen to paper to describe it, I begin to realise the cleverness of Enright’s
craft. The story runs roughly chronological, but told with a lot of hindsight
from the narrator, Gina. And yet what really happens? A marriage starts and
ends, the narrator moves back into the old family home, and a little girl
witnesses a kiss between her father and another woman. But the flitting style
of narrative, leaves much unsaid and leads us in implicit directions. </span></div>
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<span style="font-family: "Verdana","sans-serif";">It’s
all about the turning of the relationship around the young daughter of Seán,
Evie, who may or may not be scarred by some type of epilepsy, and is therefore
so carefully protected. Enright leads us through the implications of this on a
family unit: the mother trying to control everything, the father trying to obey
and caught unhappily in a marriage that cannot be escaped, the little girl
oblivious, sometimes vacant, in the middle of it all. But this isn’t even all
the focus of the story, because this is Gina’s story:</span></div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "Verdana","sans-serif";">These
things happen all the time. You catch a stranger’s eye, for a moment too long,
and then you look away.</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "Verdana","sans-serif";">I
was just back from holidays – a week with Conor’s sister in Sydney, then north
to this amazing place where we learned how to scuba dive. Where we also
learned, as I recall, how to have sex while sober; a simple trick, but a good
one, it was like taking off an extra skin. Maybe this was why I could meet Seán’s
eye. I had just been to the other side of the world. I was looking, by my own
standards, pretty good. I was in love – properly in love – with a man I would
soon decide to marry, so when he looked at me, I did not feel afraid.</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "Verdana","sans-serif";">Perhaps
I should have done.</span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 68.55pt; margin-top: 0cm; text-align: justify; text-indent: 14.15pt;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "Verdana","sans-serif";">And
I can’t for the life of me, recall what Evie looked like that day. She would
have been four, but I can’t think how that would play on the girl I know now.
All I saw that afternoon was a child with a dirty face. So Evie is just a kind
of smudge in the picture, which is otherwise so clear. [p9-10]</span></i></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif";">This
is writing that can turn on a feather, as agile and quick as our racing
thoughts. Mesmerisingly good. And yet with an imperfect heroine who never
accepts fault, who stalks her lover one night, and who will always be second in
line for affection behind Evie to Seán.</span></div>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
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<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISZFE8bHkzl-fIkbF9hST4TXYTO0135zCnXDSfgw1m9gSxRo6DPRGGb6Gi2SKvaVkTw74XBy6-SOl5Eok7p0H_sHXJCgVtRd23BjVZfiSR5_rzLg0tZNYZ32kZXuJcLcWO4FP4aQ1upQ/s1600/Steck+Grand+Piano.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISZFE8bHkzl-fIkbF9hST4TXYTO0135zCnXDSfgw1m9gSxRo6DPRGGb6Gi2SKvaVkTw74XBy6-SOl5Eok7p0H_sHXJCgVtRd23BjVZfiSR5_rzLg0tZNYZ32kZXuJcLcWO4FP4aQ1upQ/s320/Steck+Grand+Piano.jpg" width="320" /></a></div>
<div class="MsoNormal">
<span style="mso-ansi-language: EN-GB;">Who leaves a grand
piano in the middle of their cramped New York flat for almost half their life
without even playing it? Well that would be Bea Nightingale in Cynthia Ozick’s
excellent and illuminating <i style="mso-bidi-font-style: normal;">Foreign Bodies</i>.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-ansi-language: EN-GB;">It (that is, the
piano) belonged to her former husband, and the metaphor of a dead weight
weighing Bea down and a giant potential space in her life for maybe creativity
or love or passion is really quite excellently conceived. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-ansi-language: EN-GB;">I know I’m not meant
to imagine myself into a book, but as a pianist the compulsion to play this
imaginary piano in the pages of Ozick’s novel is overwhelming. What am I meant
to do with that urge? </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFqfJhR2N8OrraUm4EBWmphCzpjtWyn4q-sECGriAfyPJlu5tUILAlkzFr490GXsaRqdeG4NrM__tym1CdNPlscXsvvnUbxEZaiy8SucQHi54ApYJ7Ns4zbEDTY2ERQNKcEWU3edWc7Lg/s1600/foreign-bodies+cover.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFqfJhR2N8OrraUm4EBWmphCzpjtWyn4q-sECGriAfyPJlu5tUILAlkzFr490GXsaRqdeG4NrM__tym1CdNPlscXsvvnUbxEZaiy8SucQHi54ApYJ7Ns4zbEDTY2ERQNKcEWU3edWc7Lg/s320/foreign-bodies+cover.jpg" width="203" /></a><span style="mso-ansi-language: EN-GB;">The storyline of the
novel is rather complicated. We are led from America to Paris, then back again
to New York, then back to Paris, then over to the west coast (to the owner of
the piano), all in the vain attempt made by Bea’s brother Marvin to control her
and his children. Marvin has already placed his wife in care, unable to deal
with her mental well-being. In fact the scenes with the wife, although she is such a minor character, have stuck with me, strangely, the most of all. But the novel doesn’t really focus on Marvin; it has
rather a patched-together perspective mainly dealing with Bea and her nephew
Julian. This is partly told through letters between Bea and Marvin, which
convey so brilliantly Ozick’s skill and character painting. I truly loathed
Marvin!</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-ansi-language: EN-GB;">What was unusual for
me was that I very rarely have patience with characters who are unlikeable,
yet with Ozick’s <i style="mso-bidi-font-style: normal;">Foreign Bodies</i> they
are ALL frustrating and flawed. Somehow though Ozick compelled me to keep
reading, and I even found myself enjoying the portrayals of such annoying
characters.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-ansi-language: EN-GB;">Definitely one to
re-read with time. Though probably not for all, as <a href="http://kevinfromcanada.wordpress.com/2011/02/03/foreign-bodies-by-cynthia-ozick/" target="_blank">this excellent review by Kevinfromcanada makes clear with an apt use of metaphor</a>.</span></div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-36460423632541782452013-06-09T12:08:00.000+01:002013-06-09T12:08:42.101+01:00Work in progress<!--[if gte mso 9]><xml>
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<span style="font-family: Verdana,sans-serif;">I have been a rubbish blogger recently.</span></div>
<div class="MsoNormal">
<br /></div>
<span style="font-family: Verdana,sans-serif;">
</span><div class="MsoNormal">
<span style="font-family: Verdana,sans-serif;">In my excuse, we’re moving house soon, and because it's finally warm all the
little plants I’ve been growing on my windowsills have suddenly taken off, so
require lots of care and attention!</span></div>
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<br /></div>
<span style="font-family: Verdana,sans-serif;">
</span><div class="MsoNormal">
<span style="font-family: Verdana,sans-serif;">Also, I’m sort of cheating on my blog – I’ve started writing
reviews and previews for a new free music magazine in the North East – name is
currently M:M (North East Music Monthly). So if you like music, watch out for
the first edition due out in July. All types of music included (I'm writing on Classical).</span></div>
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<br /></div>
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<span style="font-family: Verdana,sans-serif;">Follow them on Twitter <a href="https://twitter.com/NEMUSICNE" target="_blank">@NEMUSICNE</a> if you like that kinda thing.</span></div>
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<span style="font-family: Verdana,sans-serif;"> </span></div>
<span style="font-family: Verdana,sans-serif;">
</span><div class="MsoNormal">
<span style="font-family: Verdana,sans-serif;">Must improve my blogging though.</span></div>
<div class="MsoNormal">
<br /></div>
<span style="font-family: Verdana,sans-serif;">
</span><div class="MsoNormal">
<span style="font-family: Verdana,sans-serif;">See you all soon, curioussloth</span></div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-51470673969526688662013-05-10T14:10:00.001+01:002013-05-10T14:10:19.505+01:00Notes from an Exhibition<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal">
I borrowed a <b style="mso-bidi-font-weight: normal;">Patrick
Gale</b> from my lovely auntie a few years ago and it passed the test of
sticking with me long after I finished it. So when I <a href="http://curious-sloth.blogspot.com/2013/03/freud-in-nyc.html" target="_blank">liberated another one froma charity shop last month</a> I knew I was in for a treat.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLw7cDK2YSdYWak-DGUHxOxxiiutdtl73gdCBdni1VWDiyjWoJ-XvFhwmkVkg5HG6NHDn2N2MIvfMxx77oP6pTmiYKIkpl5RPF2bmBRBiui8IpUHI5dfpHoC8cR0MrXJobFpTYZJGvZl8/s1600/notes-from-an-exhibition.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLw7cDK2YSdYWak-DGUHxOxxiiutdtl73gdCBdni1VWDiyjWoJ-XvFhwmkVkg5HG6NHDn2N2MIvfMxx77oP6pTmiYKIkpl5RPF2bmBRBiui8IpUHI5dfpHoC8cR0MrXJobFpTYZJGvZl8/s320/notes-from-an-exhibition.jpg" width="208" /></a><i style="mso-bidi-font-style: normal;">Notes from an
Exhibition</i> is set not far from St Ives in Cornwall and follows the impact
of an extraordinary artist, wife and mother and her manic depression. It is
incredibly hard-hitting at times, and intense as you would imagine. Each
chapter begins with a picture description – hence the title. Despite sounding
perhaps relentless, the novel manages epic and even cheerful thanks to the
flashbacks and all the artwork. I know it’s hard to write convincingly in
fiction about the “abstract” arts of visual arts and music. Film is similarly
challenged by showing skills: how annoying is it on screen when actors “perform”
highly complex skills of playing an instrument/sing or are required to draw or
hold a paintbrush? But Gale makes it work. Although I would say the picture
descriptions at the start of each chapter can be a bit hit or miss, the way
Gale describes the drawings Rachel makes as a warm-up to abstract work had me
absolutely hooked.</div>
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Another novel I loved which also achieves the portrayal of
artists, in the broadest sense, is <b style="mso-bidi-font-weight: normal;">Vikram
Seth’s</b> <i style="mso-bidi-font-style: normal;">An Equal Music </i>– which I
devoured for its excellent portrayal of professional chamber music from the
perspective of the 2<sup>nd</sup> violinist in a quartet. Read it, if you haven’t
already!</div>
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Coming up next: <i style="mso-bidi-font-style: normal;">Stasiland</i>.</div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-87545061697316347472013-03-29T18:51:00.001+00:002013-03-29T18:51:50.929+00:00Lunch, dinner, tea...<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:DoNotOptimizeForBrowser/> </w:WordDocument> </xml><![endif]--> <br />
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<span style="font-family: Calibri; font-size: 12.0pt;">I’ve spent a fair amount of time recently playing in orchestras, it being the end of term and concerts having been in quick succession. One upshot of this has been less time for reading, and I have soooo many books tbr on my shelves. My resolution to post here more regularly has also made sure that I don’t have a pile of books tb(reviewed). My old habit of not updating very often may have been bad for view counts, but it was good in times like this!</span></div>
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<span style="font-family: Calibri; font-size: 12.0pt;">It just so happens though that Newcastle has conspired to give me something to write home about: Nudo Sushi Box.</span></div>
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<span style="font-family: Calibri; font-size: 12.0pt;">If you haven’t been yet, it’s at the top of Northumberland Street, near Haymarket, and the food is delicious and very reasonable for sushi. Seriously, prices for sushi start about £2.50, range up to about £6 I think. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLEZ9xeFJ_yRisY0YQ7iCznhj2g6KPinfxpdEfGpzQAwXaoedMljpLCo_YlGT4vjhKqfqn5s8eMX1qfASqwTD_9ksdk_VodgJ9ePzuC8sLehm76c8JojGHclv4cTrHomcYBit1H8Dh4do/s1600/487835_556030281088698_1955435075_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="115" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLEZ9xeFJ_yRisY0YQ7iCznhj2g6KPinfxpdEfGpzQAwXaoedMljpLCo_YlGT4vjhKqfqn5s8eMX1qfASqwTD_9ksdk_VodgJ9ePzuC8sLehm76c8JojGHclv4cTrHomcYBit1H8Dh4do/s200/487835_556030281088698_1955435075_n.jpg" width="200" /></a><span style="font-family: Calibri; font-size: 12.0pt;">I’m not trying to advertise for them here, I would just like to give them a shout out as I have enjoyed myself there twice in the last fortnight and I hope they succeed, as it seems a lot of shops around there have been forced to close.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZAbo85IB66b2PxhVhjhqX_vRFjk4biO5Tjcli155xaDqhNwLGQq9ePpFTPDT7J8wRLHUktiuxaz0jwStt43DsGf9Iw-Py0GEpvGhhVNNCaykhykOWA75hgLi_2uAPl7bxzCtLZgGPGKs/s1600/nudo+shop.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="154" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZAbo85IB66b2PxhVhjhqX_vRFjk4biO5Tjcli155xaDqhNwLGQq9ePpFTPDT7J8wRLHUktiuxaz0jwStt43DsGf9Iw-Py0GEpvGhhVNNCaykhykOWA75hgLi_2uAPl7bxzCtLZgGPGKs/s200/nudo+shop.jpg" width="200" /></a><span style="font-family: Calibri; font-size: 12.0pt;"> </span><br />
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<span style="font-family: Calibri; font-size: 12.0pt;">They opened I think about 2 weeks ago and the décor is cute – nice colours of lime green and black, with sturdy wooden tables inside. Staff are cheerful, if a little bit flustered it all being new to everyone (!). It’s related to the Nudo down behind The Gate, which also does ace sushi, amongst many other things. And when me and boy went in 10 days ago the sushi box shop was full of flowers from suppliers etc. wishing them well! </span></div>
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<b><span style="font-family: Calibri; font-size: 12.0pt;">So, good luck little sushi box. Please live long and prosper, you are so tasty!</span></b><br />
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curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-33886717078290289602013-03-24T22:43:00.001+00:002013-03-24T22:43:38.497+00:00Freud in NYC<span style="font-family: "Trebuchet MS",sans-serif;">The other weekend I went on a charity shop splurge, the results of which were 2 lovely new dresses, 5 new books and an assuaged conscience. I didn’t need the clothes, but they did make me feel good; and after the suitcase full I donated a week later to the same charity shop, I felt better about making space for the “newbies” in my wardrobe.</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Now the 5 books are sitting on my shelf, treats waiting to be enjoyed. Amongst them I picked up a Patrick Gail, an author I’ve really enjoyed before, and at last my own copy of Great House, which I so adored a few years ago (Durham library’s copy). And then something I’ve had my eye on for a while (and which the lovely volunteer at BHF said was great!): The Interpretation of Murder by Jed Rubenfeld. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZqocnVwfm6_Tx4Txy1kS9oeZMUPo_Pru6TydE9B8ZZv_0EWajj1PYAnplQSn9mTUOF6Kq5SLm5pF2Nby9taZh4Lvu1uLgK9OQK1TDNBObNsrDcghiwOvCJWGwY1r2VV5xMmlrLypH27k/s1600/9MUR.jpg"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZqocnVwfm6_Tx4Txy1kS9oeZMUPo_Pru6TydE9B8ZZv_0EWajj1PYAnplQSn9mTUOF6Kq5SLm5pF2Nby9taZh4Lvu1uLgK9OQK1TDNBObNsrDcghiwOvCJWGwY1r2VV5xMmlrLypH27k/s320/9MUR.jpg" /></a><br /><br />I'd heard of this book, but I don't think I'd read a review, otherwise maybe my expectations would have been lowered. But I speak to soon. Let's start with a bit of an intro and then my own thoughts...<br /></span> <span style="font-family: "Trebuchet MS",sans-serif;">Turn of the century New York, a dramatic murder, and Freud & Jung et al. arrive from Europe. The author makes a lot of effort to describe New York in this period – the construction of buildings, the corruption of officials, the hotels, the bridge: <br /></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">“At the beginning of the twentieth century, an architectural paroxysm shook New York City. Gigantic towers called skyscrapers soared up one after the other, higher than anything built by the hand of man before. At a ribbon-cutting on Liberty Street in 1908, the top hats applauded as Mayor McClellan declared the forty-seven-story redbrick and bluestone Singer Building the world’ tallest structure. Eighteen months later, the mayor had to repeat the same ceremony at the fifty-story Metropolitan Life tower on Twenty-fourth Street. But even then, they were already breaking ground for Mr Woolworth’s staggering fifty-eight story ziggurat back downtown.</span><br /><span style="font-family: "Trebuchet MS",sans-serif;"></span><br /><span style="font-family: "Trebuchet MS",sans-serif;"></span> <span style="font-family: "Trebuchet MS",sans-serif;"> On every block, enormous steel-beam skeletons appeared where empty lots had been the day before. The smash and scream of steam shovels never ceased. The only comparison was with Haussmann’s transformation of Paris a half century earlier, but in New York there was no single vision behind the scenes, no unifying plan, no disciplining authority. Capital and speculation drove everything, releasing fantastic energies, distinctly American and individualistic.</span><br /><span style="font-family: "Trebuchet MS",sans-serif;"></span><br /><span style="font-family: "Trebuchet MS",sans-serif;"></span> <span style="font-family: "Trebuchet MS",sans-serif;"> The masculinity of it all was undeniable.” (pg. 7)</span><br /><span style="font-family: "Trebuchet MS",sans-serif;"></span></blockquote>
<span style="font-family: "Trebuchet MS",sans-serif;"><br /> The fantastical plot explodes in a whirl of sexuality, Oedipal complexes, and dead bodies, all in the setting of an opulent hotel. There is also a rather strange fascination with Hamlet. Oh, and I almost forgot the plethora of pretty women.<br /><br /> The quotation above links nicely into the focus on Freud. The book makes a lot out of the group dynamics of the Freud/Jung party. Our protagonist is a devotee of Freud and a young , privileged psychoanalyst himself, who gets increasingly attached to one of the young heroines.<br /><br /> I don’t want to give too much away because as a thriller this book is intensely plot driven. I was however expecting something different. And I’m not quite sure what led me to think this. On reflection, it may have been the rather excellent first page, which set up a moral question which didn’t seem to be considered much later:<br /></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"> “There is no mystery to happiness.</span><br /><span style="font-family: "Trebuchet MS",sans-serif;">Unhappy men are all unlike. Some wound they suffered long ago, some wish denied, some blow to pride, some kindling spark of love put out by scorn – or worse, indifference – cleaves to them, or they to it, and so they live each day within a shroud of yesterdays. The happy man does not look back. He doesn’t look ahead. He lives in the present.</span><br /><span style="font-family: "Trebuchet MS",sans-serif;"> But there’s the rub. The present can never deliver one thing: meaning. The ways of happiness and meaning are not the same. To find happiness, a man need only live in the moment; he need only live for the moment. But if he wants meaning – the meaning of his dreams, his secrets, his life – a man must reinhabit his past, however dark, and live for the future, however uncertain. Thus nature dangles happiness and meaning before us all, insisting only that we choose between them.” (pg. 5)</span><br /><span style="font-family: "Trebuchet MS",sans-serif;"></span></blockquote>
<span style="font-family: "Trebuchet MS",sans-serif;"><br /> I really enjoyed the first chapter, and was expecting more of the same in the rest, including a clever treatment of Freud in America, and perhaps some deprecation of the American obsession with psychoanalysis. This wasn’t forthcoming, much to my disappointment. To my mind the book veers between trashy and wannabe literary fiction – not least because of this very focus on Freud, and the all-consuming thriller plot. For some reason the author felt the need to include far too many strands/themes and they just don’t quite sit together right. Personally, I found the treatment of Freud and Jung ridiculously cliché and skewed somewhat by the epilogue in which the author details all of the factual inaccuracies. After reading through those, I really wondered why he had written the book at all. It would have been more successful running along the lines of <a href="http://curious-sloth.blogspot.com/2013/01/on-trail-of-obsession.html">Hallucinating Foucault</a>...<br /><br />Overall verdict: a thrilling page-turner that doesn’t live up to its high intentions. Probably a good holiday read though!</span>curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-57967052765747193572013-03-06T10:27:00.001+00:002013-03-08T11:26:00.875+00:00The horror of history<div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: left;">
<span style="font-size: 18pt; line-height: 115%;"><span style="font-family: Calibri;">Lore </span></span></div>
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<span style="font-size: 18pt; line-height: 115%;"></span><span style="font-size: 13pt; line-height: 115%;"><span style="font-family: Calibri;">(Dir. Cate Shortland)<o:p></o:p></span></span></div>
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<span style="font-family: Calibri;">Last week, to celebrate our new jobs, my friend and I went to the <b style="mso-bidi-font-weight: normal;"><a href="https://www.tynesidecinema.co.uk/" target="_blank">Tyneside</a></b>. We saw <i style="mso-bidi-font-style: normal;"><span style="font-size: 13pt; line-height: 115%;">Lore</span></i>, an amazing, powerful film about a confused Germany in the summer of 1945 immediately after Hitler’s suicide. The story of a fatherless Vaterland is told through the journey of the teenage Lore, looking after her 4 brothers and sisters after their parents disappear, wanted for war crimes.<o:p></o:p></span></div>
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<span style="font-family: Calibri;">Unsurprisingly this isn’t easy viewing. As the children trek from the Schwarzwald in the southwest to Omi somewhere north of Hamburg they find all around them the destruction of a country in mind and body. Imagery is strong: in starvation they stop at an old widow’s farm where all the clothes on the washing line are dripping black dye, in remembrance of the Führer. When they try to leave, the old lady wants to keep Baby Peter – I could have sworn, so that she could eat him.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyS1dFLN8Yu8IIE4MrZemBLnl1lkRRfiWWJa3fC65fiEwpiMgSgJ1SeUqJHlWyTnizL8qbDPUX2AHQVO9xJa0K6DtDSo_QiFD8JvjL-QNpFxvy2-LXYxLUsjFpF6JKcaiY63lQ0_tBoZQ/s1600/poster.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" jsa="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyS1dFLN8Yu8IIE4MrZemBLnl1lkRRfiWWJa3fC65fiEwpiMgSgJ1SeUqJHlWyTnizL8qbDPUX2AHQVO9xJa0K6DtDSo_QiFD8JvjL-QNpFxvy2-LXYxLUsjFpF6JKcaiY63lQ0_tBoZQ/s1600/poster.jpg" /></a><span style="font-family: Calibri;">The most realistic and perhaps ground-breaking quality of the film though is the beautifully played character of Lore, a teenage Nazi. In the very first scenes she shows her disgust at anyone she considers “an other” so physically. We don’t need to see her worshipping the Führer, her physicality on screen is perfectly pitched to convey the ideology she has been brought up with. The excellent performance by Saskia Rosendahl made the family unit live and breathe. The other children are beautifully directed and it gels so naturally – quite a triumph to keep the children on screen throughout the film in such a believable way.<o:p></o:p></span></div>
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<span style="font-family: Calibri;">Something that struck me overwhelmingly about <i style="mso-bidi-font-style: normal;"><span style="font-size: 13pt; line-height: 115%;">Lore</span></i> was how it positioned itself in the genre of apocalypse films. I haven’t read the book it is based on, but by the nature of its medium the film calls forth allusions from such classics as <i style="mso-bidi-font-style: normal;">28 Days Later/Dawn of the Dead</i>. I have no doubt this is intentional; the director <b style="mso-bidi-font-weight: normal;">Cate Shortland</b> certainly knows exactly what she is doing. And interestingly as a non-native she still does an excellent job with the detail, whilst also bringing an outsider’s perspective to this peculiarly unbalanced post-war Germany. (My brain made a lot of comparisons with <i style="mso-bidi-font-style: normal;">Günter Grass’s</i> autobiography “Beim Häuten der Zwiebel”/”Peeling the onion” dealing with the same period, but not in such an effective way.) The “end of the world” feeling of the film chimes with the end of childhood innocence and the sexuality of the adolescent Lore – so much has been left behind in the Schwarzwald.<o:p></o:p></span></div>
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<span style="font-family: Calibri;">Maybe the view of <i style="mso-bidi-font-style: normal;"><span style="font-size: 13pt; line-height: 115%;">Lore</span></i> as a film in the zombie genre might trivialise it for some people, but I think it gives <b style="mso-bidi-font-weight: normal;">Shortland</b> a language of horror to utilise and a set of conventions to challenge. It increased the impact of it on me. The historical reality of the film doesn’t verge into the period drama cliché (as so many UK films and TV shows now do). Somehow it almost manages instead to feel like science-fiction, except it wasn’t a nuclear disaster that caused Germany’s destruction and the Holocaust.<o:p></o:p></span></div>
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curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-31551864065385545122013-02-24T20:25:00.001+00:002013-02-24T20:25:05.649+00:00Returning from a long trip to the Salinas Valley...<!--[if gte mso 9]><xml>
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East of Eden</h1>
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John Steinbeck</h2>
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It’s not often in a realistic novel that you find the author
turning up as one of the characters. But in this saga about farming in the
Salinas Valley at the turn of the century John Steinbeck is tracing his own
family history. The plot focuses on two families: the Trasks and the Hamiltons.
The poor Hamiltons, on a patch of earth with no water and 6 (I think) children,
struggle by somewhat despite the incapability of the father Samuel Hamilton to
earn any money. The Trask family, one brother Adam moving out to the Salinas
Valley in the course of the novel leaving his hard childhood and scary brother
behind, continues with twin boys, Caleb and Aron (biblical reference obvious).</div>
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Now I read <span style="font-family: "Times New Roman"; font-size: 12.0pt;">Steinbeck’s</span><span style="font-family: "Times New Roman"; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;">
</span>most depressing work <b><span style="color: #339966;">The Grapes of Wrath</span>
</b>a few years ago, and really enjoyed the vision and the detail, but it is
such a terrible, horrible novel about humans and greed. In contrast <b>East of
Eden </b>has it’s horrible moments, but it is much more rounded. There is young
love and exploitation, the severity of the land and the beginnings of accepting
multiculturalism. Some people find a problem with <span style="font-family: "Times New Roman"; font-size: 12.0pt;">Steinbeck’s</span> preaching narrator;
personally, I like it when the author lays out their cards as honestly as he
does – you know just whose side he is on and don’t have to guess!</div>
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The language can also be perfect:</div>
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“It was a deluge of a winter in the Salinas Valley, wet
and wonderful. The rains fell gently and soaked in and did not freshet. The
feed was deep in January, and in February the hills were fat with grass and the
coats of the cattle looked tight and sleek. In March the soft rain continued,
and each storm waited courteously until its predecessor sank beneath the
ground. Then warmth flooded the valley and the earth burst into bloom – yellow
and blue and gold.” </div>
</blockquote>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 45.0pt; margin-right: 64.3pt; margin-top: 0cm; text-align: justify;">
(Opening of
chapter 25)</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
One of the reasons I wanted to review <b>East of Eden </b>on
here was to have the chance to revel in it a bit further. It’s only when I
typed out that passage that I noticed all the subtleties of <span style="font-family: "Times New Roman"; font-size: 12.0pt;">Steinbeck’s </span>syntax.
It can be so easy to describe something in prose in a way that means nothing
because you’ve invested too many descriptors and no feeling for how a reader
will read your sentences. For me, this passage is the opposite because it
doesn’t look like it tries hard, but then you find such beauties as “<i>each
storm waited courteously until its predecessor sank beneath the ground</i>”.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Because it is a family saga, the plot spirals around
somewhat and sometimes could be accused of being overtly sensational. I won’t
go into too many details here, with the hope that some of you might still read
it, but the focus on the brothels in the second half of the book definitely
descends down that path. That’s not to say <span style="font-family: "Times New Roman"; font-size: 12.0pt;">Steinbeck </span>does a bad job at it – I wonder
if he were writing today whether he would have learnt his craft as a script
writer on <i>Eastenders</i> or telenovellas? The character of Cathy/Kate is
fascinating though, and well developed during the course of the novel. She
clearly holds a great deal of power over <span style="font-family: "Times New Roman"; font-size: 12.0pt;">John</span> <span style="font-family: "Times New Roman"; font-size: 12.0pt;">Steinbeck:</span></div>
<div class="MsoNormal">
<br /></div>
<blockquote class="tr_bq">
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 45.0pt; margin-right: 64.3pt; margin-top: 0cm; text-align: justify;">
“I believe there are monsters born in the world to human
parents. Some you can see, misshapen and horrible, with huge heads or tiny
bodies; some are born with no arms, no legs, some with three arms, some with
tails or mouths in odd places. They are accidents and no one’s fault, as used
to be thought. Once they were considered the visible punishments for concealed
sins.</div>
</blockquote>
<blockquote class="tr_bq">
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 45.0pt; margin-right: 64.3pt; margin-top: 0cm; text-align: justify;">
And just as
there are physical monsters, can there not be mental or psychic monsters born?
The face and body may be perfect, but if a twisted gene or a malformed egg can
produce physical monsters, may not the same process produce a malformed soul?" </div>
</blockquote>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 45.0pt; margin-right: 64.3pt; margin-top: 0cm; text-align: justify;">
(Opening of
chapter 8)</div>
<div class="MsoNormal" style="margin-right: 64.3pt; text-align: justify;">
<br /></div>
<div class="MsoBodyText">
This prose may feel outdated, but the theme is still
prevalent today. How can seemingly ordinary people act in ways completely alien
to the majority of society? Is it genetic or is it learnt? What are they
lacking? Steinbeck clearly comes down here on the side of genetical
malformation – i.e. it is nobody’s fault. But it’s a thin line between that and
the nature/nurture debate.</div>
<div class="MsoNormal" style="margin-right: 1.3pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-right: 1.3pt; text-align: justify;">
I hope I’ve
given you a taste of what is so enjoyable about <b>East of Eden.</b> Admittedly
it doesn’t have my favourite chapter in <span style="font-family: "Times New Roman"; font-size: 12.0pt;">Steinbeck</span> in it, the description of the
tortoise on the side of the highway from <b><span style="color: #339966;">The
Grapes of Wrath</span></b>, but the characters are its unforgettable part. I
wouldn’t know which to name as my favourites; they are all so three dimensional
– Sam Hamilton, Adam Trask, Tom Hamilton, Aron Trask, Caleb Trask, Charles
Trask, Lee, Cathy/Kate.</div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0Newcastle upon Tyne, Tyne and Wear, UK54.978252 -1.617780000000038954.8325375 -1.9405035000000388 55.123966499999995 -1.2950565000000389tag:blogger.com,1999:blog-4654608740423869130.post-28661656628298005012013-02-18T18:44:00.002+00:002013-02-18T18:44:18.222+00:00I have been enjoying recently… Podcasts<!--[if gte mso 9]><xml>
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<span style="font-family: "Verdana","sans-serif";"></span><span style="font-family: Verdana,sans-serif;">Now that my
technology has caught up with this decade, and I’m walking to work, I have been
discovering the excellent world of podcasts. I thought I’d list some favourites
on here - partly because I still haven’t finished <i style="mso-bidi-font-style: normal;">Steinbeck’s</i> <b style="mso-bidi-font-weight: normal;">East of Eden</b>,
and partly as something to keep me occupied on a slow Monday afternoon.</span></div>
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<span style="font-family: "Verdana","sans-serif";">I’ve been
enjoying the variety of the <b style="mso-bidi-font-weight: normal;"><span style="color: #7030a0;"><a href="http://www.bbc.co.uk/podcasts/series/whnews" target="_blank">Weekend Woman’s Hour</a> </span></b><span style="mso-bidi-font-weight: normal;"><span style="color: #7030a0;"><span style="color: black;">podcast</span></span></span>. I find it’s nice
to have the edited <i>highlights of the daily shows</i> together with <i>feedback </i>from
the listeners. This is a good one for the walk to work in the mornings as it’s
not always too taxing on the brain and yet they maintain a good range of guests
and topics to keep it interesting. I particularly liked the interviews with the
<i>young girls that were in a flagship mentoring scheme</i> 4 years ago and have all
now gained so much self-confidence and “can-do” spirit. There was also a great
discussion a few weeks ago with a proponent of <i>“soft” feminism and one for “active”
feminism</i> which had me screaming at the podcast! At an hour in length, this
generally keeps me busy for a few days in my travels around the city, and I’ve
found it great for long train journeys too.</span></div>
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<span style="font-family: "Verdana","sans-serif";">One of the
best things about the internet/technology age is the ability to learn about any
topic at the click of a button. I find this particularly true with the <a href="http://www.freakonomics.com/2013/02/14/how-to-think-about-guns-a-new-freakonomics-radio-podcast/" target="_blank"><b style="mso-bidi-font-weight: normal;"><span style="color: #e46c0a; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #E46C0A; mso-style-textfill-fill-colortransforms: lumm=75000; mso-style-textfill-fill-themecolor: accent6; mso-themecolor: accent6; mso-themeshade: 191;">Freakonomics</span></b><span style="color: #e46c0a; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #E46C0A; mso-style-textfill-fill-colortransforms: lumm=75000; mso-style-textfill-fill-themecolor: accent6; mso-themecolor: accent6; mso-themeshade: 191;"> </span></a>podcast, which introduces novices like me to some of the
<i>basic principles of economics</i>. Each episode tackles a concept or a problem using
modern day (or even medieval Chinese!) examples in an entertaining journalistic
way. So far some of my favourite episodes have focussed on the problem of
providing <i>incentives </i>(<a href="http://www.freakonomics.com/radio/freakonomics-radio-podcast-archive/" target="_blank"><u>The Cobra Effect</u></a>) and <i>the strange nature of “consultants”</i>.
This last one made me even more glad I never intend to apply for a grad. scheme
with a consultancy firm! </span></div>
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<span style="font-family: "Verdana","sans-serif";">I revelled
in the wonderful Jane Austen feature on the <b style="mso-bidi-font-weight: normal;"><span style="color: #00b050;"><a href="http://www.bbc.co.uk/podcasts/series/wbc" target="_blank">BBC World Book Club</a> </span></b>last month. The
discussion was just great, featuring writer P.D.James, who recently wrote a
sequel to <i style="mso-bidi-font-style: normal;">Pride and Prejudice </i>called <i style="mso-bidi-font-style: normal;">Death comes to Pemberley</i>. The best
thing, somewhat unsurprisingly, about World Book Club is that the questions
come from all over the globe. I really got an amazing feeling of how
universally these books are appreciated.</span></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif";">I’m not
quite sure why I downloaded the first <a href="http://www.philosophybites.com/" target="_blank"><b style="mso-bidi-font-weight: normal;"><span style="color: #00b0f0;">Philosophy Bites</span></b></a><span style="color: #00b0f0;"> </span>podcast,
given that I recoiled quite strongly from most philosophy at uni; but I was
pleasantly surprised, and felt very cultured walking to orchestra listening to
a lecture on freedom. The high point though was a wonderful talk about <i>Gandhi’s
philosophy</i>, which educated and informed me about a topic I have been meaning to
look up for quite some time…</span></div>
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<span style="font-family: "Verdana","sans-serif";">I hope some
of you reading this, if you don’t already, will consider investigating the
world of the podcast and exploring all the knowledge out there!</span></div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-29775887838591290452013-02-07T16:53:00.004+00:002013-03-08T11:28:58.532+00:00Regular updates are hardwork!<div class="MsoNormal" style="margin: 0cm 0cm 10pt;">
<span style="font-family: Calibri;">Apologies for the silence on the blog front lately. I haven’t quite worked out how to juggle temping, orchestra, gigs and socialising… But seeing as this blogging thing is only worth doing when I update regularly (and therefore get a regular audience) I am endeavouring to improve.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Calibri;">I have in mind to do a review of the gorgeous Les Mis film, but I think that might take more time than the quick 15 minutes I have now. So instead how about a list of things I have been enjoying and hope to enjoy in 2013:<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpFirst" style="margin: 0cm 0cm 0pt 36pt; mso-list: l0 level1 lfo1; text-indent: -18pt;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;"><span style="font-family: Calibri;">1.</span><span style="font: 7pt 'Times New Roman';"> </span></span></span><span style="font-family: Calibri;">The Hobbit<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle" style="margin: 0cm 0cm 0pt 36pt;">
<span style="font-family: Calibri;">I know this is a cliché. I was not expecting it to actually be amusing and entertaining… It made me realise how much Elijah Wood put me off the original LOTR films (especially in terms of watching them again). Martin Freeman is absolutely excellent as a wonderfully British Bilbo. And Gandalf was always my favourite. Minus the annoying elf and the tedious trawling to extinguish the ring in the fires of Mordor in LOTR, The Hobbit is much improved. And much funnier!<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpLast" style="margin: 0cm 0cm 10pt 36pt; mso-list: l0 level1 lfo1; text-indent: -18pt;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;"><span style="mso-list: Ignore;"><span style="font-family: Calibri;">2.</span><span style="font: 7pt 'Times New Roman';"> </span></span></span><span style="font-family: Calibri;">I am reading Steinbeck’s “East of Eden” right now and revelling in his language and beautiful way of cutting right to the heart of a situation. I don’t remember enjoying Steinbeck at school but now as my tastes have changed I love the apparent simplicity of his vision. I hope to have it finished next week and maybe review it properly at some point in February.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Calibri;">Oh dear I’m going to have to leave it there for now. More to follow, promise!<o:p></o:p></span></div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-74598260284165863712013-01-23T17:43:00.001+00:002013-01-23T17:43:14.212+00:00Tales of drifting around after college...<!--[if gte mso 9]><xml>
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<h1>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLG2_s8Q32iUGQ7Hf9D4VZgaAw3kAdTugSAMiR2l8nNqsKdPdFK5NnrIz4drmNoR7E7ZWzJBzpg0Ef-ljgMdO9oVBr-K10ES-loNkIc6lhO5dPjX4r3kBWskQF-CApRUtOvUeT5amU_vs/s1600/paulaustermoonpalace.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLG2_s8Q32iUGQ7Hf9D4VZgaAw3kAdTugSAMiR2l8nNqsKdPdFK5NnrIz4drmNoR7E7ZWzJBzpg0Ef-ljgMdO9oVBr-K10ES-loNkIc6lhO5dPjX4r3kBWskQF-CApRUtOvUeT5amU_vs/s320/paulaustermoonpalace.jpg" width="202" /></a><b><span style="font-family: "Franklin Gothic Medium"; font-size: 22.0pt; mso-bidi-font-size: 12.0pt;">Moon Palace</span></b></h1>
<h2>
<span style="font-size: large;"><span style="font-family: "Estrangelo Edessa";">Paul Auster</span></span></h2>
<h2>
<span style="font-family: "Estrangelo Edessa";"></span></h2>
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I really enjoyed this book, but I can’t put my finger on
why. It’s very depressing and the first section concerns itself with a young
man determined to abandon himself to fate and not search for a job. He ends up
starving, living in Central Park. So why was I hooked? </div>
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<br /></div>
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It must be the storytelling. <span style="font-family: "Estrangelo Edessa"; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;">Auster</span> takes
us through so many wild stories. The young man, Fogg/Philias/MS, moves in with
an old man as a live-in companion/assistant, and the old man’s stories take us
out West to the Grand Canyon. These tall tales of lead us into a hard tale of
survival in the face of extreme circumstances. Later we hear a similar story
written by a teenage boy involving aliens…</div>
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I couldn’t help but enjoy myself – it’s just ridiculous,
funny and incredibly engaging despite the bizarre coincidences. (Include in all
of those the far too gorgeous girlfriend of the young man who apparently falls
for him after one meeting.) The picture of an apartment furnished with boxes of
books, gradually being depleted by the man’s need for money for food. We’ve all
done that, made furniture out of random objects in the face of necessity, but
I’m pretty sure my furniture didn’t then disperse as I ate my way through an
inheritance!</div>
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<br /></div>
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The plot gets crazier and more twisted up in itself as Fogg
heads out West to follow those original footsteps. It almost felt like
something out of that great gem of black humour, <span style="font-family: "Arial Black";">Six
Feet Under</span>. And yes he does also walk off into the sunset in a
depressing ending. I was left feeling surprisingly upbeat though…<span style="font-family: "Estrangelo Edessa"; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;">Auster</span>
just doesn’t take it seriously at all – it’s like one big joke!</div>
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<span style="font-family: Verdana; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"></span>curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-68088530850071947822013-01-18T17:57:00.000+00:002013-03-08T11:07:59.562+00:00Die verlorene Ehre der Katharina Blum / The lost honour of Katharina Blum<br />
<h1>
<span style="font-size: large;"><span lang="DE">Heinrich Böll</span></span></h1>
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Okay so I realise that <a href="http://lizzysiddal.wordpress.com/2012/12/15/german-literature-month-2012-author-index/#comments" target="_blank">German literature month was November</a>, but I completely failed to review anything at that point, and so I’m going to belatedly catch up. (I don’t think I’m completely alone in this! #germanevenlatermonth)</div>
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<br /></div>
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When I read this book in November I was struck in much of a similar way to Christoph Hein’s Der fremde Freund that it was probably something every German schoolchild reads in school, and so is deemed too simplistic for German literature university syllabuses in England. It’s obviously a difficult balance to maintain, and I’m now able to remedy it for myself, but I definitely felt I had missed a treat by not stumbling across it sooner!</div>
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Sadly I know as yet very little about Heinrich B<span lang="EN-US" style="mso-ansi-language: EN-US;">öll</span>, and this was the first book/or work (or even poem I think) I have read by him. But I will endeavour to read more! What a masterly way he plays with the reader and the text. Building a beautiful story whilst commenting on the craze of the mass media to drive stories to their tragic conclusion. The language is playful and also critical. The ridiculously short chapters driving us ever onward in the search of “the truth” behind the story. And so we the readers also become Paparazzi, urging Katharina to reveal all, even when we know the end because that is the very place that B<span lang="EN-US" style="mso-ansi-language: EN-US;">öll </span>begins.</div>
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I loved this. And I think I will be re-reading it for a long time. It struck me how it seemed to speak well to a modern audience as well as evoking a specific West German 1960s/70s feel. Any recommendations of other Heinrich B<span lang="EN-US" style="mso-ansi-language: EN-US;">öll I </span>might like?</div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com2tag:blogger.com,1999:blog-4654608740423869130.post-71557787796735665072013-01-16T15:32:00.001+00:002013-01-18T17:22:33.854+00:00Hallucinating Foucault by Patricia Dunker<!--[if gte mso 9]><xml>
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<h1>
<span style="font-size: large;">On the trail of obsession...</span></h1>
<h2>
</h2>
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<span style="font-family: Calibri;">Any novel which features
the UL tearoom has definitely got my vote. There’s something so wonderful about
that place. The UL, full of academics and, in termtimes, students in various
degrees of stress, offers really only one place to drink a cup of tea and eat
the packed lunch before rushing back to a reading room. The atmosphere is
somewhere between a strangely Communist canteen and a National Trust café.
Don’t ask me why <u>that</u> mixture, but it feels distinctly communal and
worthy at the same time.</span></div>
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<span style="font-family: Calibri;">Ah, I’ve been sidetracked.
</span></div>
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<span style="font-family: Calibri;">To get to the point, </span><span style="font-family: Calibri; font-size: large;">Patricia Dunker’s</span><span style="font-family: Calibri;"> first novel </span><span style="font-family: "Arial Black";">Hallucinating
Foucault</span><span style="font-family: Calibri;"> begins in the UL tearoom. The
initial encounter between the PhD student and future girlfriend takes place
there, or rather outside it smoking. This is a meeting full of clichés: PhD
student has only just noticed “The Germanist”, as she is called throughout, but
she has been watching the PhD student for weeks. </span></div>
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<span style="font-family: Calibri;">I don’t know why, but I’m
going to have to admit something at this point which was completely my fault
and which sullied my reading of the first sections of the novel. About 10 pages
in my brain decided that the main character was a woman.</span></div>
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<br /></div>
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<span style="font-family: Calibri;">There was only something
like one pronoun in the first few pages and I missed it. However the PhD
student is a man and yes the relationship with the Germanist is a clichéd as
first predicted from the chat-up line he uses. I don’t understand my
disappointment at the main character being a man. Possibly it was due to my
anticipation of the novel linked with the one-dimensional characters and plot
at this point in the story. At any rate, I found the central relationship from
the start quite implausible. </span></div>
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<span style="font-family: Calibri;">However, given the force
of homosexuality in the novel, it is pretty key that the male PhD student
protagonist prove attractive to the fictional writer Paul Michel. So I was
wrong in my interpretation at the start, and it clearly couldn’t have been any
other way. I did wonder though upon reaching the end, no spoilers I promise,
whether the author had intended to make it ambiguous for a little while at the
beginning…</span></div>
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<br /></div>
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<span style="font-family: Calibri;">To return to a review in a
sense: I found this a strange novel that reads like a thriller and not the <i>Bildungsroman
</i>(coming-of-age novel) that it is. Madness also features heavily, and the
text is littered with </span><span style="font-family: Calibri; font-size: 12.0pt;">Dunker’s</span><span style="font-family: Calibri;"> clearly excellent knowledge of Foucault. My
knowledge of French 20<sup>th</sup>-century culture is so bad that I actually
had to Google Paul Michel to assure myself that he was fictional. I think that
proves how brilliantly he is portrayed. </span></div>
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<br /></div>
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<span style="font-family: Calibri;">The novel tackles
questions of relations between texts (intertextuality being such a clumsy way
of saying this!) and the writer-reader dynamic head on, taking these questions
to their ultimate, extreme conclusion. </span></div>
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<br /></div>
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<span style="font-family: Calibri;">Given the progress down to
the south of France later on, I was distinctly reminded of another
coming-of-age story full of questions of mental health I read recently set on
the Mediterranean - </span><a href="http://curious-sloth.blogspot.com/2012/10/the-scandal-of-mental-health.html" target="_blank"><span style="font-family: "Arial Black";">Tender is<span style="font-family: Verdana;"> </span>the Night</span></a><span style="font-family: Calibri;">. I’m sure </span><span style="font-family: Calibri; font-size: 12.0pt;">Dunker</span><span style="font-family: Calibri;"> is aware of the clichee of that part of the world
being somewhere people retreat to and heal themselves. </span></div>
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<span style="font-family: Calibri;">So some advice on reading
this: do not expect anything verging on realism, even though the text itself
seems generally realistic. Do not expect all plot twists to be believable.
Enjoy the clever philosophical questions and the questioning of sanity and
obsession.</span></div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-71188548088487263862013-01-15T14:36:00.000+00:002013-01-15T14:38:22.090+00:00My AaronSorkin/JeffWinger moment<!--[if gte mso 9]><xml>
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Nothing happens unless we make it happen. Luck is a god
gamblers believe in, but I’m an atheist. If we achieve something, we have
ourselves to thank for it. It might be hard and tiring and stressful, yet when
we succeed, it will make that success all the sweeter.</div>
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<br /></div>
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And yes, I’m a coward: I’m afraid to fail. But I’m
afraid of many things. But of none the more so than of not living. Of not
grabbing my steed, my life, firmly and not letting go. </div>
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<br /></div>
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Because <u>nothing</u> happens if you do
nothing. </div>
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All the achievements of this world belong to those
who dare, who try. Those who have no choice but to pull out a finger. Every
piece of music that moves us, every book that tugs deep inside of us, every
speech that makes us sit up straighter; they were all produced by minds like
ours. And that is the biggest secret of them all: with some training and
application the human mind has the capability for infinite creation. </div>
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Power stems from our imaginations.</div>
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<span style="font-size: x-small;"><i><span style="font-family: Verdana;">So this is a
motivational speech I wrote for myself back in December. Surprisingly effective
on myself given that I know all the tricks I'm using – motivates me almost as
much as “that speech” in </span></i><span style="font-family: Verdana;">The
Network <i>which </i>Maybeshewill <i>sampled in </i>Not For Want Of Trying.<i>
Putting it out there for friends in case it motivates 1 single person.</i></span></span></div>
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<span style="font-family: Corbel; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"></span><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"></span>curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-7618006680836275172013-01-15T13:35:00.000+00:002013-03-08T11:23:27.428+00:00What better in snowy January than to stay in and read...<br />
<br />
<h1>
Hard-boiled Wonderland and the End of the World</h1>
<h1>
<span style="font-size: large;"><span style="font-family: Calibri;">Haruki Murakami</span></span></h1>
<h1>
<span style="font-size: small;"><span style="font-family: Calibri;"> </span></span></h1>
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Fast becoming one of my favourites, <span style="font-size: large;"><span style="font-family: Calibri;">Haruki</span> <span style="font-family: Calibri;">Murakami</span></span> writes a beguiling blend of realism and fantasy that always leaves me gasping for more. Whatever weird oddities he throws at his protagonists, they just shrug and get on with it – suspending all judgment, never fazed.</div>
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<span style="font-family: "Arial Black";">Hard-boiled Wonderland… </span>with its curious paperclips and mysterious lifts takes us in the direction of science fiction and, in alternate chapters, fantastical creatures roam what seems a fairy-tale town. But the skill of <span style="font-size: large;"><span style="font-family: Calibri;">Murakami</span> </span>is to give us some empathy with the rootless male protagonist so that whilst the plot twists precariously around I found myself caring that his best jacket had been slashed and all his whiskey bottles broken.</div>
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Maybe not so hard-hitting as <a href="http://curious-sloth.blogspot.com/2012/12/normal-0-oh-deary-me-having-just.html" target="_blank"><span style="font-family: "Arial Black";">The Wind-Up Bird Chronicles</span></a>, but then this is a less epic novel – much more in the tradition of excellent sci-fi (the likes of <span style="font-family: "Arial Black";">We/1984/Fahrenheit 451</span><span style="mso-bidi-font-family: Arial;">). It seemed self-contained. Maybe a good way to describe it would be “perfectly round”, as if somehow the story does not keep going outside of the world of the book. Unlike other books, I did not leave it envisaging the future or the past of the characters, devising my own plots, or writing further chapters in my head. And also in the mode of sci-fi it challenges us with notions of humanity in an age of new technologies. The mysterious forces behind events, guiding the action from afar, reminded me somehow of Asimov. Although I guess they could equally remind one of conspiracy thrillers, or Cold War novels. At any rate, I devoured </span><span style="font-family: "Arial Black"; mso-bidi-font-family: Arial;">Hard-boiled Wonderland…</span><span style="mso-bidi-font-family: Arial;">, racing to the end, reaching the final page almost breathless. And I was left with that now familiar </span><span style="font-family: Calibri; font-size: 12.0pt; mso-bidi-font-family: Arial;"><span style="font-size: large;">Murakami</span>-</span><span style="mso-bidi-font-family: Arial;">sense of having been denied the happy ending, but given the closing the story demanded.</span></div>
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curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-13633875099549120602012-12-12T16:39:00.001+00:002013-01-15T14:10:30.146+00:003 in 1<div style="text-align: left;">
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<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">Oh
deary me, having just checked my posting history, I found that my last update
was a month ago on 11/11/12… That’s no way to cultivate a blog. It probably
doesn’t help that the last month has been a time of change for me, but even so,
I really didn’t think it had been that long since a post.</span></div>
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<br /></div>
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<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">Right,
so straight down to business.</span></div>
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<br /></div>
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<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">In
the last few months I’ve read several books worthy of reviewing. And I keep
meaning to give them all their own posts, but have failed. So to ensure that my
move into 2013 is not going to be weighed down with a long list of To-Do’s from
2012, I think I will give a brief review of each below, and then endeavour to
move along.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<h1 style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Arial;">The
Wind-Up Bird Chronicles by Haruki Murakami</span></h1>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">A
weird and wonderful book about a man deserted by his wife. This was my first
Murakami and I absolutely devoured it. There are brutal scenes of awful
violence (just to warn anyone) from the war in Japan and these are mixed with
the alienation of the central character from the world around him. I would
guess that critics generally say that the escalation of violence in the novel
represents the estrangment from society. But to me it felt more like an
important part of modern history which runs just below the surface of life in
modern Japan.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">My
friend who lent it to me recommended it by saying that I would want to go and
sit at the bottom of a well after reading it. Suffice to say she was right.
Read it, really, read it. </span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<h1 style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Arial;">State
of Wonder by Ann Patchett</span></h1>
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<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">I was
turned onto this book by the review, which I can no longer find anywhere! At
any rate, it was a really interesting read.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">A
researcher heads out to the Amazon in search for her missing professor who has
been researching specific new drugs. Once there though, things become much more
complicated.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">This is
a difficult book to discuss without giving away large chunks of the plot. I’m
trying to write carefully here. </span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
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<br /></div>
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<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">The
researcher finds herself with a tribe in the Amazonian rainforest where women
are fertile until death. The questions this particular issue raises I found
were poignant and stayed with me long after finishing the book. It is written
as something of a mystery story, which kept me hooked and turning pages up
until the very end.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">I
liked the writing even if the book itself seemed very plot driven (which isn’t
normally my style). And I’ll be looking out for Ann Patchett again.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
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<br /></div>
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<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span style="font-family: Arial; font-size: 24.0pt;">Middlesex by Jeffrey Eugenides</span></b></div>
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<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">I
should have read this book a long time ago. And I didn’t. But I picked it up in
a bookshop in September, with a vow to finally do so.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">I’ve
heard it mentioned in critical literature on gender identity whilst studying
for my Masters, and so I had some inkling of the issues to be raised. I was
also quite curious as to the reaction to the portrayal of Cal from the
transgender community, and so have since read up on that as well online. I
think what I’m trying to say is that, unlike my normal reviews, this one is
entered into knowing some of the problems caused by Eugenides’ creation.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">The
story opens in a very self-reflexive way, invoking the power of the Muses to
help Cal tell his/her history. If you do not like epic tales (a la Salman
Rushdie or Guenter Grass) then this is probably not a book for you – at least
this is what I think the opening is trying to tell you! (I for one liked the
beginning)</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">Then
the problems start.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
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<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">Eugenides
creates Cal by having his/her grandparents commit incest. I guess Eugenides at
this point was more interested in including a small Greek community in the
drama (where his roots are as well) than in pacifying all the critics of the
book. I’m sure it could be argued that incest is such a taboo subject that
however it is included there will be a gut reaction of disgust from the
readers. All the same, I can see the critics’ point that it does to some extent
demonise hermaphrodites as the product of this union.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">If we
can ignore this argument briefly, I did enjoy the section in Greece and coming
to America. The depiction of the industrial age in American history was
excellent. The epic nature of the book really comes home at this point – it
does feel necessary for Eugenides’ story to move from the birthplace of tragedy
to the great arena of the American Dream – I can really understand the story
arch at this point. </span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">I’m
not sure quite whether the final sections of the book work quite as well.
Obviously an analysis with a doctor is crucial to the plot (in New York) and
Cal’s subsequent flight is fully understandable, but the steam has somewhat
gone out of the book’s sails. With the reader aware from the outset that Cal is
now living in Berlin, identifying as a man (due to the narrative itself being
at times told from Berlin), the final coda from Berlin, feels not quite so
perfectly timed as the rest. </span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">Having
read the biography of Eugenides’ (who also lived in Berlin) I felt that he had
a built a story around his own circumstances as much as possible, and then fed
into that the gender identity question. Maybe this is a successful technique
for a writer who is not transgender to engage with this question. I think it
was probably necessary for him. That doesn’t stop me feeling as if the story
was slightly stilted by it. And then combined with the returning problem that I
have with the creation of Cal from incest, this stopped me enjoying the book as
much as I could have done.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
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<br /></div>
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<span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">The
book was convention breaking, a real first for the mass market, for that reason
I really recommend it. But readers should be aware of its limitations. A much
more convincing look at the intersex debate (and the awful operations performed
until very recently) can be found in “Mitgift” by Ulrike Draesner. But that’s
just my personal opinion.</span><span style="font-family: Verdana; font-size: 10.0pt; mso-bidi-font-size: 12.0pt;"></span></div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-76156186081079642042012-11-11T15:33:00.001+00:002012-11-11T15:33:37.201+00:00German literature November - again!<!--[if gte mso 9]><xml>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">I should be continuing my job applications, but actually I’m
going to post for German Literature Month run by the lovely Caroline and Lizzy –
you can sign up <a href="http://lizzysiddal.wordpress.com/2012/10/25/german-literature-month-please-sign-up-here/" target="_blank">here</a>.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Per chance I actually started a German book last night, so
despite the fact that I hadn’t logged onto the blogosphere for sometime, I hopefully
will continue to complete the month.</span></span></div>
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<br /></div>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">TBR:</span></span></div>
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<br /></div>
<ul style="margin-top: 0cm;" type="disc">
<li class="MsoNormal"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Die
verlorene Ehre der Katharina Blum (The lost honour of Katharina Blum) by Heinrich
Böll</span></span></li>
</ul>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">I bought this before my holiday in September, with the
intention of reading it, but have not as yet got round to doing so. I’m really
looking forward to getting into some Böll as I’ve not read anything by him.</span></span></div>
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<br /></div>
<ul style="margin-top: 0cm;" type="disc">
<li class="MsoNormal"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Die
Mittagsfrau by Julia Franck (Blindness of the heart - gosh what a weird title?)</span></span></li>
</ul>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">OK, so I have actually already started this, albeit several
months ago. That’s probably not a good sign, but in my defence I am trying to
read the German version, and it’s not exactly bedtime reading. BUT I’m gonna do
it. I will complete it by the end of the month!</span></span></div>
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<span style="font-size: small;"><i><span style="font-family: Verdana,sans-serif;">Turns round in living room to look at bookshelf…hmmm…what
else could I read in the next 2/3 weeks?</span></i></span></div>
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<br /></div>
<ul style="margin-top: 0cm;" type="disc">
<li class="MsoNormal"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span lang="DE">Der Mauerspringer by Peter Schneider</span></span></span></li>
</ul>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">This also came to my shelves at the same time as the Böll with
the intention of taking it on holiday. I really love Berlin though, and
especially history about the DDR, so this has to be read.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Aiming to read:</span></span></div>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Ok so if I’m feeling ambitious, these others might get a
look in…</span></span></div>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Some Kafka…. I have a large collection of his short stories
on my shelf which is untouched and this is a crime. I will endeavour to read a
few.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">I have a nice translation of some Fontane short stories
which I also might dip into. Esp. having loved Effi last year.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span>I
think that’s probably enough of good intentions for now. Let’s see how it goes!
Would love to hear what others think about German Literature Month.</span></span></span>curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com3Newcastle upon Tyne, Tyne and Wear, UK54.978252 -1.6177854.9053525 -1.7757085 55.051151499999996 -1.4598515tag:blogger.com,1999:blog-4654608740423869130.post-3050386006094417152012-11-11T12:56:00.003+00:002013-03-08T11:25:32.656+00:00ARGO review<span style="font-family: Verdana,sans-serif;">So last night I went on my own to see Ben Affleck's "ARGO", and for once I want to make some comments on here. This space is intended for everything, even though so far I've only posted book reviews!</span><br />
<br />
<span style="font-family: Verdana,sans-serif;"><span style="font-size: large;">ARGO</span></span><br />
<span style="font-family: Verdana,sans-serif; font-size: small;">Really enjoyable and both funny and tense/gripping. The thing about it is, the material is necessarily good because it is based on a true story. And that led me to wondering how come the critics in general have said that Affleck is a good director?</span><br />
<span style="font-family: Verdana,sans-serif; font-size: small;"><br />The CIA help rescue Americans from Iran after the revolution when Iranians hated the US for refusing to send back the Shah. The bravery of all those involved is exceptional. What touched me wasn't how good the movie is (like for example a Batman film, or an Indie one like Juno), but rather, if even only a fraction is true, </span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">what those poor people went through is absolutely incredible. The film made me forget about the actual hostages, who were kept for 444 days... and instead I was totally hooked by those 6 trying to escape.</span></span><br />
<span style="font-family: Verdana,sans-serif; font-size: small;"><br /></span><span style="font-family: Verdana,sans-serif; font-size: small;">Affleck lets the power of the story shine through, and I think that's the most important job of a director. You could argue that this should be easy, but I think that is underestimating how hard it is to make a compelling story come to life and have drama/tension/comedy on screen. I can guess where there was additional padding added for Hollywood, but quite honestly that doesn't bother me.</span><br />
<span style="font-family: Verdana,sans-serif; font-size: small;"><br /></span><span style="font-family: Verdana,sans-serif; font-size: small;">I saw this at the <a href="https://www.tynesidecinema.co.uk/" target="_blank">Tyneside Cinema</a> which really gave the film something special. In the small Roxy theatre (max. 70 people I'd guess?) you feel attached and free with the small audience. Extra leg room and reclined seats come as standard, as does the generally great atmosphere. I always laugh out loud so much there.</span>curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0Newcastle upon Tyne, Tyne and Wear, UK54.978252 -1.6177854.9053525 -1.7757085 55.051151499999996 -1.4598515tag:blogger.com,1999:blog-4654608740423869130.post-38680428865619254472012-10-12T17:19:00.004+01:002013-03-08T11:18:39.416+00:00The scandal of mental health<br />
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<i><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Tender is the night</span></span></i></div>
<div class="MsoNormal">
<b><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">F Scott Fitzgerald</span></span></b></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">I will declare to start with: I picked this book because in a film I saw recently (<a href="http://www.imdb.com/title/tt0367089/" target="_blank">the Squid and the Whale</a>, very good actually, very moving breakdown of a marriage and the kids) the rather annoying university professor father goes on rather a lot about how it is The Classic by Fitzgerald.<span style="mso-spacerun: yes;"> </span>And because I am drawn to such descriptions, I decided to try for myself.</span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">I understand from glancing through the introduction by the academic (a strange economics based introduction actually) that there seems to be some dispute about the order of the text, but I know no more than this. Obviously that will have a massive impact on the first reading of the novel, and probably on my interpretation, but because I’d rather draw my own conclusions (and review) of the book first, I will leave Googling all of that until I have written this blog entry.</span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">The plot revolves around an American couple in the French Riviera. They adopt a young American girl into their group, who has become a bit famous through some movies but is still very young, and then we follow this couple back through their own history and forwards into the future as their marriage breaks down. The young starlet leaves them behind and moves on with her career in the film industry, but her first love is always the husband, Dick. There’s a lot of discussion about the wealth of the wife’s family and Dick’s non-wealthy background.<span style="mso-spacerun: yes;"> </span>And more importantly, the book dramatizes how Dick met his wife whilst he was a doctor at a mental retreat in Switzerland. Yes, that is it actually openly discusses mental health and the scandal of it.</span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">The relationship between husband and wife is brilliantly drawn, and the book has sufficient breadth to show the picture over a longer time span. The depiction of the wife is convincing, as is the slow spread into middle age of Dick’s ambition, spark and intellect. It almost appears as she goes up he goes down in the world (see here for reference the disturbing film <a href="http://www.imdb.com/title/tt1106448/" target="_blank">Poppy Shakespeare</a>, which I saw on Channel 4 a few years ago, and which I can never forget).</span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">The style of writing is sparse and beautiful. I had honestly forgotten how lyrically Fitzgerald writes, and it made quite a change to the previous book I’d been reading where I was so desperate to find out what happened that I read at breakneck speed. I found myself having to slow my reading speed here, just to account for one word I’d missed that gave the whole meaning to a sentence.</span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;"><u>A few quibbles</u> </span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">I felt the focus drifted in parts of the book – why does the starlet open the novel, but then come to nothing really?</span></span></div>
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Is it me, or is it incredibly racist? The depiction of the blacks, including a savage murder at one point, left me queasy.</span></span></div>
curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-61694001049420334702012-04-19T18:10:00.002+01:002013-01-15T13:33:13.959+00:00Téa Obreht – The Tiger’s Wife<br />
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For some reason, April has been a rather quick month. Checking <a href="http://curious-sloth.blogspot.co.uk/2012/03/jenseitsnovellenext-world-novella.html">my blog posts</a>, I realised today with horror that my last entry was 25th March. Aiming to leave somewhere around 1-2 weeks between posts, I hadn’t noticed that now we are at 19th APRIL and I still have 3-4 books that I want to review before April reaches its wet conclusion.<br />
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I say wet because, despite the hosepipe ban in the South of England, Newcastle is cold and wet right now. What better excuse to stay inside and work on my blog!<br />
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In all honesty I think I read The Tiger’s Wife in February or early March, but I wanted to give it a bit of time to settle in my head, and to see what other friends thought of it. Maybe I’ve now given it a bit too much time, but I’ll try harder next time. The first thing that struck me was the age of its author. She was born in 1985, which is only a year older than me, and yet she wrote this book that won the Orange Prize in 2011. Her photo in my library’s copy of the book is of a cute-faced blonde who really could be any age between 16 and 27. <br />
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I feel I have to declare: I like imagination in a book. I enjoyed Garcia Marquez and his craziness; I loved Bulgakow’s The Master and Margarita (interestingly in <a href="http://www.whatsonstage.com/reviews/theatre/london/E8831332412336/The+Master+&+Margarita.html">an amazing stage production at theBarbican</a> last month). The Tiger’s Wife is beautiful in that respect – it tries to show the relationship between humans and animals, and at the centre of this are the wife and the tiger. I don’t want to go into the plot too much, because that actually worked for me. The observations of the villagers and their life in the village are great too. The novel has two or three different strands: the story with the tiger; the modern story of the granddaughter; and the story of the grandfather and the deathless man. For me, these just didn’t quite gel. It felt inexperienced somehow. Maybe this was due to the mixture of time periods. It kept me going right until the end, but I didn’t come away feeling I knew anybody in the story any better. Perhaps it was the mixture of the epic family saga and the short novel form with its fantastical elements.<br />
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I would however read other things by Obreht. It has taught me to watch out for her, because if she were to produce a more substantial work, that would be a killer. What did <a href="http://mookseandgripes.com/reviews/2011/05/16/tea-obreht-the-tigers-wife/">other people</a> think? <a href="http://mybookyear.co.uk/the-tigers-wife-tea-obreht">Was this the right choice forlast year’s Orange?</a>curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-2490903500931178452012-03-25T18:57:00.001+01:002012-11-11T15:18:46.575+00:00Jenseitsnovelle/Next World Novella<!--[if gte mso 9]><xml>
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<span style="font-family: Calibri; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"></span><span style="font-family: Calibri;">The
premise seems familiar from the abundance of police thrillers on our screens: A
man comes in to find his wife sitting at his desk, looking beautiful, but as he
moves closer we all realise that the figure at the desk is in fact dead.<span style="mso-spacerun: yes;"> </span>Here the similarities with all those TV
dramas end.<span style="mso-spacerun: yes;"> </span>Instead of collapsing with
grief or calling some sort of official, the husband finds himself reading the last
words she was writing.<span style="mso-spacerun: yes;"> </span>Words of
recrimination, words condemning him.<span style="mso-spacerun: yes;">
</span>Notes in the margin of an old manuscript from the beginning of a novel
of his.<span style="mso-spacerun: yes;"> </span>The husband is compelled to
read and he cannot ignore it or answer back:</span>
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<span style="font-family: Calibri;">„Es half nichts, er <i>mußte </i>lesen.<span style="mso-spacerun: yes;"> </span>Gut, er hätte vielleicht erst einmal die
Kinder benachrichtigen sollen. <span style="mso-spacerun: yes;"> </span>Doch kam
es auf ein paar Minuten jetzt noch an?<span style="mso-spacerun: yes;">
</span>Gut, er hätte einen Arzt holen müssen, damit der den Totenschein
ausstellte. (...)<span style="mso-spacerun: yes;"> </span>Und dann wäre ja
wirklich alles vorbeit gewesen (.)“</span></div>
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<span style="font-family: Calibri;">/<span style="mso-spacerun: yes;"> </span>“It
didn’t help, he <i>had to</i> read.<span style="mso-spacerun: yes;">
</span>Yes, perhaps he should have called the children first.<span style="mso-spacerun: yes;"> </span>But were a few minutes going to make a
difference now?<span style="mso-spacerun: yes;"> </span>Yes, he should have
fetched a doctor to write the death certificate. (…)<span style="mso-spacerun: yes;"> </span>But then everything would truly be over (.)”<span style="mso-spacerun: yes;"> </span>(my translation)</span></div>
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<span style="font-family: Calibri;">It
is a dark novella, full of Kleistian questions of the ability to communicate
truly with another human being.<span style="mso-spacerun: yes;"> </span>The
couple both studied Ancient Chinese philosophy and so there are also questions
about the afterlife and belief.<span style="mso-spacerun: yes;"> </span>Images
of an eternal lake we all have to cross once we go are used by the late
wife.<span style="mso-spacerun: yes;"> </span>Unfortunately one of the
weaknesses of the English title is that it just cannot capture the beauty of
the German word “Jenseits”, meaning the far side, the beyond.</span></div>
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<span style="font-family: Calibri;">It
is a novella concerned with death as the end of a relationship.<span style="mso-spacerun: yes;"> </span>The husband can no longer communicate, and
feels his early novel has been misunderstood as relating to his own
promiscuity.<span style="mso-spacerun: yes;"> </span>He cannot convince his
wife Doro of this though because she took the facts in her own interpretation
and then passed away.</span></div>
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<span style="font-family: Calibri;">Not
for the faint-hearted, but necessary reading.</span></div>
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<br /></div>curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-36447296828944299712012-03-18T18:14:00.002+00:002013-03-08T11:12:14.206+00:00The Memory of Love by Aminatta Forna<div style="font-family: Georgia,'Times New Roman',serif;">
<span style="font-family: Georgia,"Times New Roman",serif; font-size: small;">This has to be one of the best books I read last month. It does have tough competition what with <a href="http://curious-sloth.blogspot.co.uk/2012/02/back-to-blog.html" target="_blank">Snow Crash</a> and <a href="http://curious-sloth.blogspot.co.uk/2012/03/ooohh-american-gods-by-neil-gaimon.html" target="_blank">American Gods</a></span><span style="font-size: small;"> </span><span style="font-family: Georgia,"Times New Roman",serif; font-size: small;">having made such an impression on me. It centres on life in Sierra Leone after the civil war and it isn't for the faint-hearted.</span><span style="font-size: small;"> The thing about its violence, in comparison with trashy thrillers or even Sci-Fi, is that it has all actually happened in Sierra Leone. That's the heartbreaking part of it.</span></div>
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<span style="font-size: small;">We follow an English psychologist who has volunteered overseas, despite having a wife and daughter back home. He is that typical foreigner, invading a developing country after a war or flood or catastrophe with the idea of "helping" who is resented by the locals, and whose small amount of work can barely make a difference to the thousands suffering there. He seems to be working through his own problems rather than truly helping. But then what else can he do?</span></div>
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<span style="font-size: small;">Adrian, the psychologist, connects with an old, dying man in the hospital who wishes to tell his life story. You can see from the outset though that this is a story of his own devising, and there are gaping holes in his version of events. In a somewhat cliche fashion, Adrian also falls in love with a local woman, who turns out to the be estranged daughter of the old man. I'm not sure what I think about the twists of the plot. It all fits so neatly, even when the most gruesome details are being discussed. But maybe that makes it all the more effective, because we can anticipate what is going to happen - there is a limited cast of characters and they are all interconnected. The one I haven't mentioned so far is Kai, a surgeon at the hospital and befriender of Adrian, who has his own past which he is trying to bury.</span></div>
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<span style="font-size: small;">I read this on my trip to Germany a month ago, and given that I am still thinking about it, I think that means it really moved me. I will definitely be looking out for more books by Aminatta Forna...</span></div>
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curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0tag:blogger.com,1999:blog-4654608740423869130.post-21398154170020766102012-03-11T14:07:00.001+00:002012-10-18T16:23:18.252+01:00Happy Birthday 6 Music!Am having a lovely Sunday enjoying the wonderful <a href="http://www.bbc.co.uk/6music/" target="_blank">BBC Six Music</a> and its celebrations for having been on air for 10 years. I'll admit, I'm a fairly late convert to 6 Music, I only started listening in 2009/2010 when they were threatened with closure. That basically coincided with the Christmas when I asked for a digital radio... It's been such an eye opener to good music from all over the place. I probably now listen to it just as often as Radio 3. <br />
So here's to another 10 years!curious_slothhttp://www.blogger.com/profile/08588729092437659466noreply@blogger.com0